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Zlob Modular – Skew Fade LFO Full DIY Kit

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The Skew Fade LFO is a 3HP all analog low frequency oscillator capable of a plethora of waveforms. It has three rate settings – with a range that goes down to 3 minutes and 30 seconds a cycle, up to audio range at 20 hz.  The Triangle wave output can be skewed between saws and ramps, while the Square wave output has pulsewidth control. The LFO’s unique feature is voltage controlled crossfading between skewable Sine and Square waveforms. It can also be self patched (eg. triangle into fade cv) for an extended pallet of waveforms. A bicolor LED provides constant display of positive and negative voltage crossings.

Skew Fade LFO Build Document – Assembly Guide

Specifications:

  • 10vpp waveform outputs
  • 45mm deep
  • +12v: 15mA, -12v: 15mA


Zlob Modular – Entropy – Panel / PCB Set

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Entropy is an all analog random voltage and noise generator with a number of outputs and options. It features sample/track and hold normalled to white noise with a toggle switch for selecting either Sample & Hold (switch in right position) or Track & Hold (switch in left position). There is also a PCB trimmer to adjust the spread or gain of random voltages coming out of the module. This ranges from “scalar” (low gain, counter clock wise) to large interval jumping (high gain, clock wise).

Entropy also features dedicated outputs for analog white, pink, and brown (red) noise as well as a separate smooth random (INFRA) output with 2 range settings – with the switch in its left position, events will be quicker and more “wiggley”, while in the right position there will be less events and almost random rise and fall envelope behaviour. There is a white noise PCB trimmer to set the amplitude of the noise which in turn influences the rate of the INFRA out.

The aluminium Frontpanel has LED solder mask windows to indicate positive(red) and negative(blue) voltage crossings

Entropy – Assembly Guide

Specs:

  • Width: 3HP
  • Depth: 47mm
  • 10vpp~ Noise Outputs (dependent on white gain trim)
  • current consumption +12v: 10mA   -12v: 10mA

 

Zlob Modular – Entropy – Full DIY Kit

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Entropy is an all analog random voltage and noise generator with a number of outputs and options. It features sample/track and hold normalled to white noise with a toggle switch for selecting either Sample & Hold (switch in right position) or Track & Hold (switch in left position). There is also a PCB trimmer to adjust the spread or gain of random voltages coming out of the module. This ranges from “scalar” (low gain, counter clock wise) to large interval jumping (high gain, clock wise).

Entropy also features dedicated outputs for analog white, pink, and brown (red) noise as well as a separate smooth random (INFRA) output with 2 range settings – with the switch in its left position, events will be quicker and more “wiggley”, while in the right position there will be less events and almost random rise and fall envelope behaviour. There is a white noise PCB trimmer to set the amplitude of the noise which in turn influences the rate of the INFRA out.

The aluminium Frontpanel has LED solder mask windows to indicate positive(red) and negative(blue) voltage crossings

Entropy – Assembly Guide

Specs:

  • Width: 3HP
  • Depth: 47mm
  • 10vpp~ Noise Outputs (dependent on white gain trim)
  • current consumption +12v: 10mA   -12v: 10mA

 

Ginko Synthese – MIC- Full DIY Kit

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The Ginko Synthese MIC is a Eurorack microphone pre-amp module in 2HP! This module was designed to sit alongside the Ginko Sampleslicer but can be used as a monophonic microphone preamp to take signals to anywhere in your modular. Your input could be microphone but could also be any other comparable monophonic signal. The MIC features an input gain control and comes with a free minijack microphone so you can start recording straight away!

 

 

Ginkosynthese – Sampleslicer v2 – Full DIY Kit

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Version 2 of the Samplslicer adds a gain input potentiometer and a switch for pitch mode so you don’t have to restart your modular to get into a different pitch setting.

This new version is also a completely through hole build (the core CPU is pre-soldered on the PCB already).

“I don’t just like it, I LOVE it! This module is perfect. I would take it with me on a deserted island and will never let it go. Automatic speed matching to incoming clock is amazing! At first I wondered why it needs a clock. Then it amazed me in every aspect.”
Meng Qi

Technical info

Module width
16HP
Module depth
25mm
Power use (+12V)
94mA
Power use (-12V)
17.5mA

HOW DOES THE SAMPLESLICER WORK?

What does the Sampleslicer do?

The Sampleslicer is a real-time monophonic sampler, including a 16 step voltage-controlled sequencer.The incoming sound is chopped up automatically into 16 parts by the incoming clock signal and spread out over the16 steps in the internal sequencer.

How long can it sample?

The length of the recorded sample is set by a clock-divider, so the recording time is always linked to the incoming clock signal. You can choose between time divisions of 1, ½, ⅓, ¼ and ⅛.
If the divider is set to 1 the total sample time is equal to 16 incoming clock-pulses.
If set to ½ the sample length is equal to 8 incoming clock-pulses, spread over 16 slices (so half the time). It will produce even more glitchy fun when set to ⅓, as it will spread 6 steps over 16 slices. The maximum sample time is about 15 seconds and the minimum sample time is a fraction of a second for granular noises.

How does the sequencer work?

Inside the Sampleslicer there is a 16-step voltage controlled sequencer to play back the sound. Every step is dedicated to a 16th part of the recorded sound inside memory. When the 16 steps are full the sequencer starts playing from the chosen start point till the chosen amount of steps are played. This can be in one-shot mode or in loop mode for infinite looping.
The start point and play length is determined by potentiometers or CV input.
Last but not least the individual slices can be played back as notes via CV from a sequencer or keyboard, by setting the start point in V/oct mode and play length to 1.

How does the pitch work?

There is a control to pitch the slices up or down. The pitch control affects the overall pitch of the recorded material. It can be controlled via CV.

Why only realtime sampling?

Our vision on the modular world is that you get most fun out of realtime created sounds. Out of principle we chose to make this module without a memory card reader.

What about the soundquality?

The sample rate is 12bit, just like the good old sampling madness days. A lovely sound with a slightly raw character without being gritty. For comparison: CD digital sound quality is 16bit, gameboys are 8bit, the E-mu Emulator is 8bit, E-mu Emax is 12bit, the MPC60 is 12bit, the AKAI S612 is 12bit, the AKAI S900 is 12bit, Oberheim DPX1 is 12bit and the EMU sp-1200 is 12bit too…

In order to maximize sound quality and creative usage possibilities, we choose not to place an anti-aliasing filter in the audio output path. The digital-to-analog conversion process already gives a clean and rounded sound, and filtering would tend to take away some brightness and aliasing can give some extra to your sound.
It is designed to be part of a modular system so we leave it to you whether you like to patch the input/output through a filter or not.

What is aliasing?

If you experience noise in combination with some audio sources (but not all), then most probably you use digital audio sources with a lot of sharp corners in the audio. This causes aliasing, which might sound as noise. If this is the case with your setup, simply put a lowpass filter in front, slightly turn it on and all aliasing noise is gone. For example, if you use audio created with PWM, the aliasing sounds terribly noisy. This can be explained by the PWM being only “high” or “low”. (The PWM I talk about is not the PWM on your analog VCO but digital created pseudo analog voltages by making a 5V pulse wider or smaller.) If you send digitally created audio through a lowpass filter the corners will be rounded off, the highest frequencies will be filtered and the aliasing/noise will be gone.

Analog audio will sound clean unfiltered and will have nice smooth aliasing.
Read more about aliasing on Wikipedia.

So, no, it is not 24bit as we know in the mastering studio’s. Instead, it will remind you of the good old “hip hop” sounds from the 80’s 🙂 and it’s lovely! In the end it’s an instrument by itself not a mastering tool.
Be creative and try the module in any way you can think of! Feel free to share your results. I am excited to see what you come up with!

Technical info

width: 16HP
power consumption
+12V: 94.0mA
-12V: 17.5mA
depth (including power cable): 25mm

Build Manual – https://www.ginkosynthese.com/uploads/building-manual-v1.0.pdf

Dreadbox Lil’ Erebus – Eurorack Full DIY Kit

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The Lil’ Erebus is an analog paraphonic Eurorack full synth voice based on the original Dreadbox Erebus.

The module features two oscillators with individual level and tune controls which you can choose to pitch either individually or simultaneously. The oscillators are then routed to a 2-pole low pass filter before reaching the VCA – which can be externally triggered if desired. The filter features CV input for cutoff control which is also hardwired to the internal 3 segment envelope generator. The VCF has it’s own audio input so that external signals can be patched in, and the envelope output can also be tapped for other duties. Additionally the Lil’ Erebus has it’s own voltage controlled LFO with dedicated Triangle & Square wave outputs and finally there is a built in Echo featuring feedback control and VC over echo time.

Lil’ Erebus also has a very simple MIDI to CV convertor featuring:

  • MIDI notes to CV (1v/oct – 5 octaves range from 0V to 5V)
  • MIDI trigger to gate (0V – 5V pulse)
  • Channels from OMNI up to 7
  • Can be used as a Duophonic or Monophonic device
  • Can be polychained up to 2 Lil’ Erebus
  • See the user manual for more details

Lil’ Erebus – User Manual | Assembly Guide | Schematic & PCB Layout | Tuning Calibration (Video)

Features

  • 2 Oscillators (Osc1 Saw Wave, Osc2 Pulse Wave)
  • 2-Pole Low Pass VCF
  • 3 Segment Envelope Generator (ADS)
  • Voltage Controlled Echo
  • Voltage Controlled LFO
  • Built-in Midi to CV
  • 16 Patch Points
  • 42HP Eurorack Format
  • Depth: 20mm
  • 80 mA +12V, 80 mA -12V

3 x Floating Star Multiple

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A pack of three, six-way, Befaco-branded multiples. These are passive multiples with six 3.5mm sockets.

Tsyklon Labs – Eurorack Cable Tester Full DIY Kitl

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If you are a DIY Synth novice, this is a great and useful bit of kit to strengthen your DIY skills. If you are a veteran [or, as they like to say at Tsyklon Labs – “Hero of Synthesizer DIY”], then this kit will be super fun and you will likely have it assembled in short order.

A standalone Eurorack power cable and patch cable tester. Color LEDs show the status of the currently tested cable.

Works for both 10-16 and 16-16 power cables.

Build Doc – http://tsyklon.com/prodsupport/cable_tester_build_doc.pdf 


Cornfield Electronics – ArduTouch Synthesizer – Full DIY Kit

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The ArduTouch is a new Arduino-compatible music synth kit. It’s fully open source – everything you need to put this together is available on the ArduTouch GitHub.

The ArduTouch is similar to the Arduino, but instead of just some headers and pins for connecting wires (boring), it also adds a PCB touch keyboard for playing notes, some extra buttons and pots so you can control sounds. The synth also features an all-important amp and speaker, so you can hear the results on just the board. (You’ll obviously want to plug into external amplification for more power and loudness.)

You don’t have to code. Just put this together, and you can start making music.

That’s already pretty cool, but the real magic comes in the form of two additional ingredients:

Software. ArduTouch has a new library that enables the synthesis capabilities of the board. This means you can also customize synth functionality (like adding additional control or modifying the sound), or create your own synths.

Tutorials. When you want to go deeper, the other side of this is a set of documentation to teach you the basics of DSP (digital signal processing) using the board and library.

In other words, what you’ve got is an all-hardware course on DSP coding, on a $30 board. And that’s just fabulous. I’ve always thought working on a low-level with hardware is a great way to get into the basics, especially for those with no previous coding background. More information on the ArduTouch library can be found here.

Build Document – ArduTouch Assembly Guide

Features

  • Easy-to-play touch keyboard, with knobs and switches for lots of tweakability
  • Comes pre-programmed with an awesome synthesizer
  • Easily re-program new synths with many examples available
  • Arduino-compatible — free Arduino software works with MacOS, Windows, and Linux
  • If you like, you can read our documentation to learn how to make sound and music and noise with computers chips!

To program your ArduTouch music synthesizer, you can use any FTDI-compatible cable

 

God’s Box ‘Lollipop’ Compressor. FULL DIY KIT

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The Lollipop is a studio grade dual-mode analog mono compressor designed specifically for Eurorack. Two different compression modes – FET and Vactrol – give two different flavours of compression. Choose the Vactrol mode for a crystal clear sound, or choose the FET for dirt: try both, suck it and see!

Lollipop features a peak detecting envelope detector, variable attack / release / ratio / threshold, dedicated side-chain, dry/wet control and LED meter. The module is designed to work on a Eurorack signal level of around 10Vpp. As this signal level would not normally allow for deep compression within Eurorack power supplies, the ratio is over compensated to allow for ratio ‘over infinity’.

Features

  • FET & Vactrol compressor modes
  • Threshold Level with CV control
  • Adjustable gain stage for IN and OUT
  • Side-chain input with attenuator
  • Max Attenuation: ~33dB
  • Ratio:  1:1 –   ‘over infinity’
  • Output Gain: -inf to 26.4 dB
  • LED meter: ~3Db PER led
  • In gain: from -inf to +13.5dB
  • Attack: 2mS –  300mS
  • Release: 30mS – 450mS
  • Width: 12HP
  • Depth: 35mm

Set Up

To get started, set the module controls as follows: threshold to minimum (far right), input gain, attack and release all to 0 – (far left).

Set the output gain to the small 0 marker, the dry/wet to far right (all wet) and the ratio to far right (full).

Make sure your signal is connected and turn the input gain up until the first led lights. This means your input signal is around 10Vpp, the signal level that will give best results.

From here adjust the threshold and ratio to suit your needs. The threshold controls the point at which the unit will start to compress, the ratio controls the amount of gain reduction after that point is reached.

If you are seeking maximum compression, turn the ratio and threshold all the way up.

When a signal is plugged into the side-chain input, the unit automatically uses it as the trigger source. This input is DC coupled! Square waves and pulse waves may give unpredictable results

God’s Box ‘Loose Fruit’ WaveShaper. FULL DIY KIT

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Loose Fruit packs two waveshapers and a crossfader combined into one module and is designed for sculpting rich harmonic timbres. Originally intended for use with ‘single note’ waveforms including sine, triangle and – untypically for a waveshaper – square, Loose Fruit will react to any sound source it receives. The waveshapers create not only harmonic overtones but also undertones – rich subharmonics. More specifically, waveshaper 2 (right-hand side) enables high-frequency explorations via the threshold control, while wavehaper 1 enables low frequency horsepower via the half-speed octave effect. Loose fruit is digitally controlled with a fully analogue signal path.

Waveshaper 1

The left LED will light up if the input to Waveshaper 1 is above 20mV, under this level the waveshaper will not operate. Choose from 10 different harmonic overtone patterns via the state control, or automate the patterns via CV – state ‘CV’ is summed

with ‘State 1’ so set the state control far left for the full CV control over entire range, or adjust if you want an offset. ‘Half speed’ allows you to drop the effect by one octave.

WaveShaper 2

Waveshaper 2 has a variable threshold allowing you to choose how much of the input is being affected – useful for adding only upper harmonics if desired. With your input patched – adjust the threshold control until the right LED lights, then select one of th

e 10 harmonic patterns using the ‘state 2’ control. The state CV is again summed with this knob, so set the state far left for full CV control over entire range. With the threshold control low it will behave exactly like wavehaper 1, increase the threshold to create upper harmonics and pulse-width like effects. Threshold can also be automated via CV control and a dedicated attenuator.

Crossfader

The crossfader allows you to mix different harmonics by finding a balance between the right and left channels. The crossfader can be automated with dedicated CV input and attenuator. To use the crossfader for external signals independently of any waveshaping, patch the signals you want to use into the inputs labelled ‘Left’ and ‘Right’.

Module Routing

All three sections are half normalled together – ‘IN 1’ of waveshaper 1 is normalled to ‘IN 2’, while the outputs of both waveshapers feed the left and right channels of the crossfader. Due to this configuration, the module can be used by simply plugging into ‘IN 1’ and taking an output from the ‘XF OUT’. Alternatively, each of the sections can be used individually by plugging in to the related input / output. The waveshapers can be used in parallel or in series or in any other conceivable configuration!

Features

  • Dual Waveshapers with 10 harmonic patterns per channel
  • Octave control on channel 1
  • Threshold control on channel 2
  • CV control over harmonic patterns or ‘states’
  • Channel 1 normalled to channel 2 – can be used parallel or in series
  • WaveShapers normalled to crossfader – blend between channels with CV
  • Crossfader can be used independently from waveshapers
  • Width: 12HP
  • Depth: 35mm

 

Olitronik Circuits – Micrón Synth Voice – Full DIY Kit

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The Micrón is a newly designed complete analog synthesizer voice in just 8HP! The module has a fully featured VCO with Saw/Pulse outputs, FM input and voltage controlled PWM. There is also a Sync input and Sub oscillator. The VCF is a self-oscillating low pass filter with resonance control and dedicated CV attenuator for Cutoff. Micrón features an internal envelope generator with a fixed fast attack and an adjustable release time, ranging between 80ms to 1s long. The envelope generator is normalled to both the filter cutoff and internal VCA, but normalisation can be broken by plugging a cable into either the Cutoff or VCA CV input jacks. Finally Micrón also comes equipped with a post VCF (pre-VCA) adjustable analog overdrive circuit.

BUILD GUIDE

CALIBRATION VIDEO

-VCO

  • Volt per octave
  • 7 octaves
  • Hard Sync
  • Sub oscillator
  • Saw/Pulse
  • PWM
  • FM modulation
  • Temperature Compensated Tuning

-VCF

  • Self oscillating low pass filter
  • Resonance control
  • Cutoff CV attenuator

-E.G. & VCA

  • Fast fixed attack
  • Release: 80ms to 1s
  • EG normaled to filter cutoff and VCA.

-DISTORTION

  • Analogue overdrive

 

Current Draw: + 51mA / – 41mA  (+/-12v)

 

Dreadbox Lil’ Erebus – Eurorack Full DIY Kit

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The Lil’ Erebus is an analog paraphonic Eurorack full synth voice based on the original Dreadbox Erebus.

The module features two oscillators with individual level and tune controls which you can choose to pitch either individually or simultaneously. The oscillators are then routed to a 2-pole low pass filter before reaching the VCA – which can be externally triggered if desired. The filter features CV input for cutoff control which is also hardwired to the internal 3 segment envelope generator. The VCF has it’s own audio input so that external signals can be patched in, and the envelope output can also be tapped for other duties. Additionally the Lil’ Erebus has it’s own voltage controlled LFO with dedicated Triangle & Square wave outputs and finally there is a built in Echo featuring feedback control and VC over echo time.

Lil’ Erebus also has a very simple MIDI to CV convertor featuring:

  • MIDI notes to CV (1v/oct – 5 octaves range from 0V to 5V)
  • MIDI trigger to gate (0V – 5V pulse)
  • Channels from OMNI up to 7
  • Can be used as a Duophonic or Monophonic device
  • Can be polychained up to 2 Lil’ Erebus
  • See the user manual for more details

Lil’ Erebus – User Manual | Assembly Guide | Schematic & PCB Layout | Tuning Calibration (Video)

Features

  • 2 Oscillators (Osc1 Saw Wave, Osc2 Pulse Wave)
  • 2-Pole Low Pass VCF
  • 3 Segment Envelope Generator (ADS)
  • Voltage Controlled Echo
  • Voltage Controlled LFO
  • Built-in Midi to CV
  • 16 Patch Points
  • 42HP Eurorack Format
  • Depth: 20mm
  • 80 mA +12V, 80 mA -12V

ADDAC200PI Pedal Integrator – Full DIY Kit

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This small utility is the pedal’s lover best friend, it allows 2 different chains of pedals to be independently connected to your modular synthesizer.

The Send channels attenuate the synth level to instrument level. The Return channels amplify the signal from instrument to synth level.

Specs:

  • Width: 4HP
  • Depth: 30mm
  • Max current: 10mA

Prok Drums – Full DIY Kits


Music Thing Modular – Mikrophonie Contact Mic Module

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IF YOU WANT TO JUST BUY THE NEW PANEL DESIGN ON ITS OWN GO HERE

Build Manual

 

This kit contains all parts to build the module, right down to the power cable and the screws.

These kits ship with a white knob (not black as shown in some older photos).
Internal contact mic is included. External contact mic must be built or purchased separately (see below).

Tom Whitwell the designer of Mikrophonie describes the module thus:

“Mikrophonie is a microphone preamp with a piezo contact mic built into the panel.

It is an easy way to bring environmental noise and feedback into a modular system, inspired by the early days of electroacoustic music in Paris and Cologne, and by the contact microphone and phonograph cartridge experiments of John Cage, Gordon Mumma, Robert Ashley and Nicholas Collins. Here is a wonderful film from 1966 of Stockhausen & Co performing Mikrophonie 1.

The panel is PCB with no soldermask. The raw PCB fibreglass has quite a nice rough texture – rubbing it with a finger or a plectrum creates quite a wide range of sounds. The back of the panel is plated and grounded for shielding; the peizo microphone can either be soldered directly to the copper or stuck on with epoxy glue.”

The module will work with both DIYed contact mics made from inexpensive piezo transducers (instructions coming soon), off the shelf contact mics (often called Piezo Pickups) made for guitars and violins which you can pick up for ten bucks from Amazon or eBay or more bespoke mics like the popular Jez Riley French models (including hydrophones!) which are firmly aimed at Sound Designers.

Mikrophonie_Kit

Shakmat Modular – Time Wizard – Full DIY Kit

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The Shakmat Modular Time Wizard is an 8HP sextuple clock divider. The module features individual division control for all six outputs and there are different division options available depending on the divider channel being used. The outputs are split into two sections – A and B. Each section can receive its own separate clock input if desired, and there is also extra functionality associated with both sections:

Section A has the ability to multiply incoming clock signals (either x3 or x4) before the clock reaches the dividers. This allows you to easily dial in triplets or create very unusual clock ratio’s – for example: multiply by 4 and divide by 7 at the same time.

Section B has the option to receive it’s own master clock from RST input on the front panel or internally from divider B4. This allows you to create further complex divisions from the dividers below. There is also a jumper on the back of the module that allows outputs B5 and B6 to be switched from triggers to gates.

The module features an internal auto-reset option which comes from divider B6. This can be switched on to affect either just Section A or all of the outputs. There is also a manual reset input on the front panel. Finally there are some additional logic function options for divider A2: This output can be switched to provide the following functions : A2 AND B5 or A2 OR A3.

Time Wizard – Assembly Guide & User Manual

Specifications:

  • Size: 8 HP
  • Depth: 22 mm
  • Current Draw: 20 mA @ 12V, 0 mA @ -12V
  • Trigger Inputs: 0 – 5V
  • Outputs: 0 – 5V

Transient Modules – 1F Switch – Full DIY Kit

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The Transient Modules 1F is a voltage controlled switch, intended to be a friend for your sequencer. The 1F features two inputs – labelled IN and CV, the CTRL input switches the output from IN to CV on receiving a high gate signal. The top toggle switch on the frontpanel chooses whether CTRL signals switch between inputs or add them together, while the bottom toggle switch allows you to manually turn switching off. The scale potentiometer acts as an attenuator for the CV input, and with nothing plugged in is normalled to a 3.3V offset. The design of the 1F is specially focused on working with sequences and is an ideal tool to add randomness, apply transpositions, or create sequences with constant variations over time. The circuit features 0.1% tolerance resistors to achieve exact unitary gains for precision summing of the v/oct signals.

1F Build Document – Assembly Guide

Technical specifications:

• 4HP.
• 38 mm depth.
• Consumption: 15mA +12V; 10mA -12V.

Transient Modules – 4R Random – Full DIY Kit

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The 4R is a quad random voltage generator in just 2HP. The 4R generates two different random stepped voltages per input each time a rising edge is sensed at TRIG1 or TRIG2. The inputs are independent so they can work at different clock speeds. As TRIG2 is normalled to TRIG1 it is also possible to get 4 random values with just one trigger. The voltage range of each pair of outputs can be set as unipolar (0V to +5V) or bipolar (-5V to +5V).

Note: This build contains some SMD soldering – BUT all the smallest SMD parts are already pre-soldered – see the build doc for more info.

4R Build Document – DIY Build Manual

Specifications

  • Width: 2HP
  • Depth 50mm
  • Power Consumption: +12V: 50mA ; -12V: 30mA.

Erica Synths ‘BBD Delay / Flanger’– DIY Partial Kit

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Note: This partial DIY kit contains the following parts only:

  • BBD PCB Set
  • BBD Eurorack Front Panel (14HP)
  • V3205SD IC
  • V3102 IC
  • PCB connectors

Erica Synths Knobs can be purchased here: https://www.thonk.co.uk/shop/erica-knobs-6-35mm-shaft

Erica Synths BBD Delay/Flanger is one of the few bucket brigade delay chip based DIY modules. The module has been designed to provide variety of effects from flanger to delays with adjustable flavours and plenty of modulation possibilities. There is a built in LFO with selectable shape as well as a dedicated LFO output. The BBD also features CV over delay time with on-board attenuator, selectable feedback overdrive and feedback Send-Return connectors, so you can apply external effects on feedback signal. Maximums feedback settings put the module in self oscillation, so it can be used as an experimental sound source as well.

Build Document – BBD Assembly Guide | Bill of MaterialsBuild Video

Features

  • 4092 stage BBD
  • Up to 300ms delay time
  • Delay time CV input with an attenuator
  • Feedback Send-Return circuit for external effects
  • Built in LFO with dedicated output
  • Two customisable feedback overdrive flavours
  • LP filter on the output with selectable cutoff
  • Dedicated Wet output

Specifications

Max delay time 300 ms
Audio output amplitude 10V ptp
CV amplitude (full span) -5 – +5V
Panel width 14 HP
Module depth 45 mm
Power consumption 30mA @+12V
20mA @-12V
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