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CHA/V Designs – CHA/V – Video Synth PCB

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The CHA/V (CHEAP, HACKY, A/V) is an open-source, DIY, A/V video synthesizer based on a hacked VGA test signal generator. If you are new to video synths, fasten your seatbelt. You just opened up a huge can of wormholes. This is a PCB only to build a standalone device.

Who is this for?

  • “I want my modular synth to make purdy-pitchers while I play it”
  • “I like making DIY audio circuits, like the Atari Punk Console. Is there something like that for video?”
  • “I’m interested in DIY video devices or circuit-bending.”

The CHA/V is not:

  • the “correct” way to synthesize video
  • made from quality parts
  • capable of precision
  • well-behaved

The CHA/V is:

  • lots of fun
  • good easy way to get started in video synthesis

 

For complete info and VGA test signal generator shopping advice:: https://jonasbers.com/chav

CHA/V – Build Guide & BOM | User Manual


BASTL & Casper Electronics OMSYNTH – Full DIY Kit

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The OMSynth miniLab is a circuit development and performance interface designed to help inventors quickly build and experiment with creative circuits. It was designed with beginners in mind but is perfectly suited for seasoned builders and complex circuit development. The OMSynth offers all you need to start inventing circuits to make sound and light. Potentiometers, audio mixer, speaker, headphone output, battery or adapter power and more.

There are tutorial videos for making analog oscillators, sequencers and a lo-fi digital sampler with the OMSynth. This DIY kit comes with the OMSYNTH OSCILLATOR PARTS KIT for free! (Oscillator tutorial video and documentation)

WHAT THE OMSYNTH IS AND WHAT IT IS NOT!!

OMSynth IS a super useful circuit development tool that I have used as a teacher and circuit developer to make my job easier and more fun. All circuit development I have done at Bastl from sketches to finished instruments (including the BitRanger and SoftPop) has been on the OMSynth.

OMSynth IS NOT a beginners electronics course. I have provided tutorial videos and parts kits for workshops that will help beginners get into experimental circuit design quickly and helps ease them into more complex, often un-intuitive principles of electronics. That said, it will be absolutely necessary for beginner users to do extra research on their own. Rather than trying to give ALL the answers, the OMSynth is my way of giving people a powerful tool and a big boost of encouragement as they embark on the long strange journey of audio circuit design. I welcome emails from those eager to move forward or simply want to share discoveries and excitement. Feel free to email me at pete[at]casperelectronics[dot]com.

FEATURES

  • Battery (included) or 9V wall wart power options (not included)
  • Regulated 5V and unregulated power sockets
  • Over-current protection fuse (200ma) protects circuit from shorts or improperly installed ICs
  • 3 channel audio mixer with individually weighted inputs (x1, x1 and x10)
  • Amplified speaker with volume control
  • Dual mono headphone output
  • 2 stereo I/O jacks for connecting to external circuits, modular synths, etc
  • Tri-color LED with discrete channel drivers
  • Light sensor for light based variation of circuit parameters
  • The light sensor is installed facing the LED making it a basic vactrol (voltage to resistance converter)
  • 3 touch sensors (the OMS logo) for touch based manipulation of circuit parameters
  • 5 modular 100k potentiometers (protected by 1k buffer)
  • 1 modular pushbutton and integrated on/off switch
  • 2 full size breadboards
  • Laser engraved base plate with a carrying handle
  • Expansion section for adding control boards or custom circuits

What’s In The Box

  • OmSynth Full Parts Kit & PCB
  • 2 x Breadboards
  • Engraved wooden baseboard with holes for attaching breadboards & OMSynth
  • Free Oscillator Parts Kit
  • 9V Battery

LINKS

A NOTE ABOUT BREADBOARDS:

The breadboard is a standard interface used for quickly building electrical circuits. This is a universal format which will accept nearly all electrical components. Most hardware (pots, buttons, switches, ect) will also fit in the breadboard but are extremely unstable and clumsy to use. Therefore we have designed the satellite boards (available seperately) to allow secure installation and use.

Inside the breadboard are sets of little metal fingers that grab onto component legs that are pushed into the holes. These are arranged in columns of 5 and horizontal rows of 50 . The horizontal rows are generally intended for connecting your power supply so it can be easily connected throughout your circuit. The columns are for building your main circuit. A horizontal space in the middle separates the columns so that integrated circuits may be installed in the middle.

It takes a bit of practice and discipline to build successful and dependable circuits, but with the right tools and some patience this can be a quick and effective process.

USING THE OMSynth MiniLab

Use will depend entirely on the circuit being built and the experience of the user but here are the basic steps universal to most projects.

  1. The first step is to connect the power from the OMSynth to the power rails of the breadboard. This should be done with solid core wire and the wires should be neatly tucked away to avoid being accidentally unplugged. Typically one would connect the power (5VDC or unregulated) to all 4 red red power rails on the breadboards and ground to the 4 blue power rails.
  2. Next build your circuit on the breadboard using ICs and resistors, capacitors etc.
  3. Connect the circuit to the potentiometers and switches to add variable control.
  4. If you are building an audio circuit, connect the audio source to the input of the mixer.
    Make sure the amp power switch is ON if you want to use the onboard speaker.
  5. In many circuits it will be useful to see the behaviour of certain signals like an LFO used to clock a sequencer for instance. In these cases connect the signal(s) to the inputs of the LED.

BREADBOARD PRACTICE AND DEBUGGING

Despite your best efforts there will come a time that a circuit we have built simply won’t work. Debugging is an art form that takes patience, time and more patience. It can never be entirely avoided, but the need for it can be dramatically reduced through clean and methodical breadboarding practices… So the first step to debugging starts as you assemble the circuit. Clutter is the enemy and it will claim your circuit and your sanity if left unchecked.

When one is first starting to build a circuit it is easiest to plug components and wires into the board without sizing or trimming anything. This makes it easy to achieve fast results and allows easy reconfiguring as you go. But once parts of the circuit are established it is best to trim your components and wires to be flush to the board.

Eventually the entire circuit should be cleaned up in this manner.

The only exceptions being cases where changes to connections will need to be made with some regularity.

In these cases untrimmed components and longer wires should be used.

The next step to avoiding the need for debugging is to constantly monitor the functionality of your circuit while working on it. For instance don’t turn off the circuit then make a dozen changes before turning it back on. If there is a problem it will be hard to track where it occurred.

In any case despite your best efforts there will come a time that you are confronted with a circuit that simply doesn’t work. The solutions are varied but here are some universal steps to take.

  1. Make sure the OMSynth and amplifier power switches are on 🙂
  2. Check for any short circuits between component legs. This is the main argument for trimming the legs. But hey, we’re all human and we don’t always trim our component legs. Check this first. This is usually the problem.
  3. Check for loose wires. Has anything come unplugged? Like the power rails??
  4. If this is the first time powering up the circuit then check all the component values to make sure they are correct.
    If functionality is intermittent then it is most likely caused by loose or faulty patch cables or touching component legs.

Beyond these steps debugging becomes a more involved process. Its important to imagine each functional element of your circuit as a discreet block. Now isolate and test each of these blocks. With some practice this way of thinking becomes intuitive and the process can go very quickly.

OMSynth miniLab SECTIONS

POWER
This section supplies voltages that you will need to power your circuit. The outputs are capacitively coupled (increases voltage stability) diode protected (protects against backward polarity) and fuse protected (up to 200mA. protects against short circuits).

-You can use the onboard 9volt battery or an external supply.

-Plugging in an external supply will disconnect the battery.

-The supply must supply a DC voltage between 7 and 35 volts but for most applications no more than 12 volts is needed.

-The supply must be negative ring, positive tip as indicated on the board.

The +V output is connected directly to the power supply (through the diode and fuse). If a higher voltage level is needed you can use an external power supply rated at the required voltage.

The +5 output will take any input between 7 and 35 volts DC and convert it to a stable 5 volts. This can be used for applications where 5 volts is required (microcontrollers for example) or where the unregulated power may be too unstable.

MIXER
The mixer has 3 inputs. The right most input will amplify the signal x10. The centre and left are un-amplified (x1). The amplified input is intended for low level signals such as sine and triangle waves.

Be aware that signals plugged into the x10 input may overpower the other two. The amplitude of the x10 input can be reduced to the level of the other two by adding a 10k resistor in series with the signal (actually a 9k but 10k are much more common and should work well enough for most applications).

AMPLIFIER
The amplifier will take the signal from the mixer and amplify it to a level appropriate to drive the onboard speaker. If you do not plan to use the onboard speaker, the amplifier can be turned off with the amplifier power switch to conserve battery power (if batteries are being used).

HEADPHONE OUT
The headphone out jack can be used to send a mono signal from the mixer to external gear or a stereo (dual mono) signal to the headphones. Plugging a cable into the headphone jack will disconnect the signal from the input of the amplifier.

LED SECTION
This section has three buffeted inputs which are routed to the three channels of a tricolour LED (red, green & blue).

The brightness of the LED is dependant on the voltage level of the incoming signal. Therefore the LEDs can be used to monitor signal levels within your circuit.

LDR (light dependant resistor)

The LDR has two inputs. The resistance between these points will vary (approx. between 10k ohms and 1M ohms) as the light which falls on the light sensor increases and decreases.

More light = lower resistance.

The LDR is installed facing the LED. Voltages applied to the LED will increase the brightness which will in turn reduce the resistance of the LDR. This combination of LED and LDR is commonly known as a vactrol and is a classic method of converting voltage to resistance. This effectively lets you add voltage control to nearly any circuit. Unlike the traditional vactrol, this one is not sealed which means ambient light will also effect the LDR. This was done to allow maximum flexibility of how the LDR is used. If you would like to use the LDR independently from the LED, a light blocking piece of material can be placed between the LDR and LED. If you would like a more traditional vactrol configuration you can place black tape or something similar over both the LED and LDR to block out ambient light.

TOUCH PADS
This section has three sockets connected to the three letters of the OMS logo respectively.

These can be connected to circuits which are sensitive to touch and manipulated by placing your finger on the sensors.

POTENTIOMETERS
Each of the 5 potentiometers have three connection points connected to the three legs of the potentiometer. The pots are rated at 100k ohms and have a 1k resistor in series with the centre pin to avoid short circuits to the power which can damage the conductive material inside the pot.

SWITCH / BUTTON
This section has three connection points connected to both the switch and the button.

Pressing the button connects points 1&3.

Throwing the switch to the right connects 2&3. To the left connects 1&2. This slightly unconventional configuration allows the user to make patches which can be manipulated with both the switch and button simultaneously.

For instance in the image to the right connecting the power supply through the switch allows the user to pulse the power on and off by pressing the button or to turn it on and off with the switch.

BASTL Kompas – Full DIY Kit

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Kompas is a three-coordinate probabilistic pattern navigator. Each coordinate has a unique travelling pace and a dedicated trigger output. The amount of probability can be adjusted manually or by external voltages. Once a coordinate has been adjusted, a new pattern is generated and looped until the next change of direction.

Unlike common probability operation, instead of filtering a pre-determined sequence, Kompas uses probability to generate new looping patterns based on the direction you choose.

Kompas – Assembly Guide

FEATURES

  • global clock and reset input
  • 3 x 32 step pattern generators with travelling algorithms
  • 3 CV inputs for coordinate modulation
  • 3 trigger outputs
  • 2/5/10ms selectable trigger length (via boot settings)
  • DIY and hacker friendly Arduino programmable hardware
  • open-source schematics and code – GITHUB
  • includes a printed fanzine with navigation topics

TECHNICAL DETAILS

  • Width: 5 HP
  • Depth: 35mm (skiff friendly)
  • PTC fuse and diode protected 10-pin power connector
  • 5ms default trigger length
  • 5V trigger outputs
  • 0-5V protected CV inputs
  • 60Hz maximum clock rate (3600 BPM!)
  • 6-pin FTDi connector
  • power consumption +12V: < 30mA

DivKid ‘Mutes’– Full DIY Kit

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Mutes is a flexible 4-channel performance muting tool designed by DivKid in collaboration with Befaco. Each channel features its own Vactrol based 3-way mute switch with signal LED for soft clickless muting . The default centre position for each switch is off or muted, pushing to the left allows you to unmute signals momentarily while a push to the right will latch the switch to allow signals through. All outputs are buffered and cascaded, allowing you to split groups of signals to multiple destinations, and making it great for FX dub performing and varied signal routing.

All SMD pre-solderedMutes Assembly Guide

FEATURES

  • Width: 4HP
  • LEDs to visualise signals
  • 3 way momentary: (on)-off-on switching
  • Buffered and cascading normalled inputs
  • Vactrol based muting
  • Knurlies inside
  • Black Aluminium panel

Weston Precision Audio – B1 Kick + Bass Voice – Panel/PCB set

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The B1 Kick Voice is a DIY-friendly analog synthesizer module in Eurorack format. It contains everything you need to create deep, thumping kick drums or cutting bass lines in one compact 10HP unit. B1 features a 1 V/Oct VCO with 4 waveforms, a 2-way waveform mixer, 2 fast, switchable AR/AD envelope generators, a high quality VCA, and a 12db VCF for additional tone shaping! B1 also handles velocity CVs for further expression. The module is based around 3 x 3280 dual OTA (Operational Transconductance Amplifier) ICs for a classic sound.

Features:

  • 4 wave shapes: Sine + mixable with triangle, square, or 2x frequency saw
  • 3 use modes (kick drum AD, kick drum/bass with AD bend/filter and AR amplitude, and bass with AR bend/filter & amplitude.
  • Velocity CV input
  • Output directly from VCO/mixer – use as a spare VCO if needed.
  • Robust old-school design with all through hole components, large copper traces, and easily obtainable parts.
  • Width: 10HP

B1 – Build Document and BOM

Music Thing Modular – Workshop Notebook

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The Music Thing Modular Workshop Notebook is a 100 page ring-bound A5 notebook made for designing electronics, in particular Eurorack synth modules.

The book includes:

  • 40 pages of dotted notepad paper. The dots are on the 100mil / 2.54mm grid used by most thru-hole electronic components. It’s easy to sketch actual-size layouts, but also works fine drawing schematics, logos, comic strips or lists of ideas.

  • 40 pages of blank Eurorack panel layouts, from 2hp to 34hp. There are 145 blank panels in total, including 1U Intellijel and PulpLogic tiles.

  • 10 pages of rational troubleshooting worksheets, with advice, tips and a structured method for calm troubleshooting when something doesn’t work first time.

  • The inside book covers contain at-a-glance data and information; pinouts for common chips and sockets, musical frequency tables, standard op-amp configurations.

  • There are also lists of recommended reading, sources of ideas and records to listen to while soldering…

 

The book is printed on nice thick Sharpie-proof paper, and all the pages are numbered for easy cross-referencing as you build a project across the sections.

Please post pictures of your notebook in use on Instagram under the #musicthingmodular tag, and send corrections or suggestions for a future edition to tom[at]musicthing.co.uk

Befaco ‘VCMC’– Full DIY Kit

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The VCMC is a fully editable MIDI controller with eight faders and push buttons. Each of them with a CV or Gate input associated to automate their functioning via external signals or to be configured independently for further control.
Each control on VCMC can be edited on the OLED screen and will be output either via DIN-5 or USB as a class compliant MIDI device.

FEATURES

  • Class-compliant USB MIDI and DIN5 connectors.
  • 10 CV inputs And 8 gate inputs.
  • 8 Faders and 8 Buttons.
  • Controls fully mappable to any MIDI message (CC, Notes, Program change, Clock, ST/SP, NRPN…)
  • Configurations saved both in internal memory and via Sysex.

SPECS

  • Width: 20HP
  • Depth: 30mm
  • Aluminium, heat-treated front panel
  • Power consumption: 64 mA +12V, 12 mA -12V

VCMC – Assembly Guide & Schematics | User Manual | Firmware

Sixty Four Pixels – ARPIE – Full DIY Kit

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ARPIE is a compact, highly-functional, MIDI arpeggiator that comes as a DIY kit.

If you are looking at this, it is likely you already know what an arpeggiator is, but if not here is a quick description… An arpeggiator is a device which takes chords (maybe played on a keyboard) and converts them into rapid sequences of notes, which can then be played through a MIDI-compatible synthesizer (either hardware or software). Arpeggiation is a very common technique in electronica and chiptune music and is an excellent creative technique. You should note that ARPIE does not make any sound by itself, but rather outputs MIDI note information which can play a synth, sampler, software synth or other compatible sound module.

ARPIE’s Hardware and firmware are open source, and the firmware is based on Arduino, making it easily hackable.

User Guide | Build Guide | BOM & Schematics

Features

  • Arpeggiate Up/Down/Up-Down/Randomised/Manual or play all notes in polyphonic gated chord mode
  • Mutate and extend the arpeggio with inserted notes: None/Lowest note/Highest note/meander 3 steps forward 1 step back/4 steps forward 2 steps back
  • Force arpeggiated notes to a musical scale: 7 musical modes/11 root notes/selectable out-of-scale note handling
  • Extend input chord over 1-4 octaves
  • Control playback rate: 1 beat per step thru to 1/32 beat per step, including dotted and triplet time options
  • Control note length and MIDI velocity
  • Transpose up or down by 1-3 octaves, by -3 thru +12 semitones from front panel, or by any pitch via MIDI input note
  • 1-16 step play/rest pattern (selected steps played or muted) with randomisation option
  • The transpose sequencer feature automates up to 16 bars of transposition. Combined with the force to scale option this is awesome for finding new chord progressions and creating entire songs.
  • Manual chord entry (note toggle) mode. Experiment with chords and access ARPIE’s full potential without any keyboard attached!
  • Per-step Accent, Full Gate, Tied Gate, Octave Up/Down, Fourth interval down, Play Through (Play notes together polyphonically) with randomisation options
  • With optional CV TAB daughter board sold separately supports CV/Gate out with per-step pitch glide and 1V/oct and Hz/V pitch scaling. CV TAB also adds ability to save and recall up to 16 patches – snapshots of the ARPIE chord and settings
  • Selectable MIDI transmit/receive channel + OMNI receive mode + MIDI thru + MIDI panic + MIDI “Channel Mode” message filter
  • Ability to send MIDI LOCAL ON/LOCAL OFF message to use ARPIE as an outboard arp for a keyboard synth (as long as the synth supports LOCAL OFF switching via MIDI CC#122)
  • Configurable Accent velocity level with special support for Volca FM velocity controller
  • Internal MIDI clock with BPM select and tap tempo/send master clock/slave to clock input
  • Clock input from main MIDI input or separate dedicated MIDI clock input socket
  • Manual stop/start/continue play options when slaved to external MIDI clock
  • MIDI lock mode ignores note input and thru input to output in MIDI lock mode
  • 6 pin “Hack Header” expansion port breaks out power and four GPIO lines.Standard firmware allows three standard potentiometers to be wired up to hack header and configured to control MIDI CC’s, Mod, Bend, BPM, Velocity etc
  • Three standard 5-pin DIN sockets for MIDI IN, MIDI OUT, SYNC IN
  • Receive, Transmit, Beat Clock and Chord Hold LEDs on control surface, firmware diagnostic/power LEDs on main board, reset button.
  • Integral 9V PP3 battery holder and 9V DC socket (2.1mm barrel) which works with either polarity plug.
  • Small size (98mm x 87mm x 35mm approx dimensions) and light weight (approx 125g without battery)

Soldering is required to complete this kit. Surface-mounts will be pre-soldered so you will only need to fit the through-hole components.

CV TAB

The CV Tab is an add-on for the ARPIE kit that plugs into the “hack header” expansion socket on the ARPIE main board. It comes fully assembled and tested and adds the following functions to your ARPIE…

  • A 1V/octave pitch control voltage (CV) output with 0-8V range and pitch glide between “tied” notes
  • A note gate/trigger output at ~10V
  • A clock output at ~10V, switchable between 16th note and 8th note steps. Optionally use the output as an accent trigger instead.
  • 8kB of EEPROM, enough to store 16 “snapshots” of ARPIE state (even when powered off) for instant patch recall
  • LED indicators that blink with gate and clock signals

The 10V clock/gate pulses are generated by an on-board charge pump circuit, even when running ARPIE from a 9V battery or 9V DC supply. 10V is the voltage level output by equipment such as Beatstep Pro and SQ-1 and can be used with Eurorack modular gear or vintage synths.

 


AI011 Analog VCO – Panel / PCB Set

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The AI011 Analog VCO is a robust and stable analog Eurorack voltage controlled oscillator. Using the legendary Curtis CEM3340 IC Chip, the Oscillator provides buffered Triangle, Square, and Ramp waveforms, as well as a triangle to sine wave shaper to provide a sine wave output.

The AI011 VCO features both Coarse and Fine tune knobs for easy tuning of the pitch. Pulse Width Modulation is normalled to the PWM input jack, so PWM is controlled with the PWM knob, and when a jack is inserted, the knob serves as an attenuator. Volt per octave and FM input jacks are present, with an attenuator for FM modulation, the VCO is also capable of both hard and soft sync. There is an expander jack at the rear of the module for use with future AI modules.

AI011 – Build Guide & BOM | User Manual

Specs:

  • Width: 8HP
  • Power consumption: +12v, 15mA. -12v, 15mA.

 

 

AI016 Tape Interface – Full DIY Kit

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The AI016 Eurorack Tape Echo Interface is a Limited Edition Module that uses a pre-amp and buffered feedback loops to allow a standard three head tape recorder as an analog tape echo. It also provides op-amp saturation on the input when pushed.

The tape recorder must have three heads (erase, record, and play) for it to work as a tape echo. This type of tape recorder will have a button or switch that allows the monitoring of the source audio, or what has just been recorded to the tape. The space between the record and play head creates the delay, and the Tape Interface feeds back into the unit to create repeats.

The AI016 provides the following tape controls:

  • Mix
  • Repeats
  • Input and Output Controls
  • Delay time is controlled by the tape deck. Not all tape decks allow speed control while recording, and modifications may be needed.

Please note that a three-head tape recorder is needed for tape echo. Please read this article on choosing and modifying a tape deck for tape echo.

AI011 Analog VCO – Full DIY Kit

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The AI011 Analog VCO is a robust and stable analog Eurorack voltage controlled oscillator. Using the legendary Curtis CEM3340 IC Chip, the Oscillator provides buffered Triangle, Square, and Ramp waveforms, as well as a triangle to sine wave shaper to provide a sine wave output.

The AI011 VCO features both Coarse and Fine tune knobs for easy tuning of the pitch. Pulse Width Modulation is normalled to the PWM input jack, so PWM is controlled with the PWM knob, and when a jack is inserted, the knob serves as an attenuator. Volt per octave and FM input jacks are present, with an attenuator for FM modulation, the VCO is also capable of both hard and soft sync. There is an expander jack at the rear of the module for use with future AI modules.

AI011 – Build Guide | User Manual

Specs:

  • Width: 8HP
  • Power consumption: +12v, 15mA. -12v, 15mA.

 

 

Moffenzeef Modular – Bad Idea #9 – Panel/PCB Set

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BAD IDEA #9: PØWER STARVED GLITCH ØSCILLATØR

This is the first mødule øf Møffenzeef Mødular’s new “Bad Idea” DIY series. The Bad Idea mødules are a cøllectiøn øf designs that were øriginally deemed tøø unruly and strange før a full scale prøductiøn run.

Bad Idea #9 is an awful concept før an øscillatør design. Twø square waves with narrøw frequency ranges are arranged sø that øne resets the phase øf the øther. The mødule døes nøt make any søund until external CV pøwers it. Squeaks, lasers, and dying car alarms ahøy! Ruh Røh!

Bad Idea #9 – BOM | Schematic | Quick Start Manual

FEATURES:

  • BATSHIT ØSCILLATØR / CHAØTIC NØISE SØURCE.

SPECS:

  • WIDTH: 4HP
  • MØUNTING DEPTH: 20MM
  • CURRENT DRAW: 25MA +12V, 25MA -12V
  • INPUT IMPEDANCE: 100KΩ
  • ØUTPUT IMPEDANCE: 1KΩ

 

Moffenzeef Modular – Bad Idea #1800-CALL-YER-MUM – Panel/PCB Set

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DTMF TØNE GENERATØR FØR EURØRACK

BAD IDEA #1800-CALL-YER-MUM IS A DUAL TØNE MULTI-FREQUENCY SIGNAL GENERATOR MØDELLED AFTER TELEPHØNE CØMMUNICATIØN STANDARDS. EACH GATE INPUT IS ASSØCIATED WITH A DTMF PAIR THAT MATCHES THE SAME TØNE YØU WØULD HEAR ØN AN ØLDER TELEPHØNE (PRE-FACETIME). THERE IS NØ TRIGGER CØNDITIØNING ØN THE INPUTS WHICH ALLØWS THE TØNES TØ BE SUSTAINED AS DRØNES WHEN A 5V ØFFSET IS INSERTED INTØ THE JACKS. ADDITIØNALLY, THIS ALLØWS FØR SEQUENCES WITH VARYING PULSE WIDTHS TØ ADJUST THE DURATIØN ØF EACH TØNE.

Bad Idea #1800-CALL-YER-MUM – BOM | Quickstart Guide

FEATURES:

  • 12 Trigger inputs / One output

SPECS:

  • WIDTH: 12HP
  • MØUNTING DEPTH: 20MM
  • CURRENT DRAW: 25MA +12V, 25MA -12V

 

 

Shakmat Modular – Gemini’s Path – Full DIY Kit

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Gemini’s Path is a 6HP dual VCA with internal modulation source and trigger extractor. The clever internal interconnection of the components makes Gemini’s Path a panorama and dynamics tool. The module reacts to the transients of incoming CV or audio signals, extracts trigger signals and activates the internal modulation source. A compressor or auto-panner, for example, can be patched in no time at all and can be quickly recalled using the memory function.

Gemini’s Path consists of several internally interconnected sections:

  • Two analog VCAs
  • Trigger Extractor consisting of rectifier, envelope follower and trigger detector. The sum of the incoming audio signals is fed into this section and the threshold potentiometer determines from which incoming voltage value a trigger is extracted.
  • The modulation source is triggered by the above section and generates envelopes, LFOs or random values.

Four modes are available:

-Expander: A release envelope is generated by each incoming trigger. In this case, the Time parameter controls the length of the release envelope and Depth controls the minimum amplitude or offset of the VCA.

-Pump: Compressor with adjustable depth (Depth) and release envelope (Time).

-LFO Pan: The LFO controls the panning of the audio signal and can be modulated in frequency (Time) and stereo spread (Depth). Triggers in this mode serve as soft sync for the LFO.

-Random Pan: Similar to the LFO Pan, the frequency is modulated by the Time parameter and the width of the panorama by the Depth parameter. Unlike the LFO Pan mode, this mode generates random values that move from one value to another. Trigger signals generate new random values.

Four alternative modes are also available:

-Hold Expander: Similar to the Expander mode with the difference that the VCAs are controlled by a hold function instead of a release envelope.

-Animated Pump: Like Pump mode but with a positive Saw-LFO

-Auto Pan: With each incoming trigger the position in the panorama is changed. Time controls the speed of the panning effect and Depth controls the width of the panorama.

-Granuliser: In this mode gates of random length are created which are influenced by the time parameter. The width of the panorama is controlled by the Depth parameter.

Since the module is DC-coupled, it is suitable for processing control signals as well as audio signals.

Features:

• Dual VCA

• Stereo / dual mono dynamic and panning processor

• Low noise and distortion That Corp dual VCA core

• Trigger detector section extracting gates & triggers from any audio / CV signal

• 4 dynamic modes : pump, animated pump, expander and holder

• 4 panning modes : LFO pan, random pan, auto-pan and granuliser

• Simple VCA mode giving direct access to level and panning

• Flexible control assignment : shared, dual or independent control with ability to load different modes for each channel

• Audio and external inputs DC coupled

• Unipolar CV inputs

• User replaceable firmware chip

• Digital jumper allowing to set dynamic modes sensible to triggers or gates

• Current state storing

• Skiff Friendly

• Width: 6HP

Gemini’s Path – Build Document | User Manual

CHA/V Designs – CHA/V – Video Synth PCB

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The CHA/V (CHEAP, HACKY, A/V) is an open-source, DIY, A/V video synthesizer based on a hacked VGA test signal generator. If you are new to video synths, fasten your seatbelt. You just opened up a huge can of wormholes. This is a PCB only to build a standalone device.

Who is this for?

  • “I want my modular synth to make purdy-pitchers while I play it”
  • “I like making DIY audio circuits, like the Atari Punk Console. Is there something like that for video?”
  • “I’m interested in DIY video devices or circuit-bending.”

The CHA/V is not:

  • the “correct” way to synthesize video
  • made from quality parts
  • capable of precision
  • well-behaved

The CHA/V is:

  • lots of fun
  • good easy way to get started in video synthesis

 

For complete info and VGA test signal generator shopping advice:: https://jonasbers.com/chav

CHA/V – Build Guide & BOM | User Manual


Eurorack Serge Wave Multipliers Full DIY Kit

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THIS IS A FULL DIY KIT

wavemult_detail2

It contains all components required for a complete build, right down to rack screws and power cable. We selected and used the high quality parts as specced by Random*Source. Random Source have created a full step by step build doc for this project.

Most of the components are already soldered! The back board is already fully populated and soldered with SMD components, this is therefore a very quick build that mainly requires soldering of pots, jacks, trimmers, LEDs and headers.

SERGE MODULAR FOR EURORACK – Under licence from Serge Tcherepnin

“Serge Modular” is an analogue modular synthesizer system developed by French composer and electronic designer Serge Tcherepnin in the 1970s at The California Institute of the Arts. Serge’s vision to create a “people’s synthesizers” led to a unique modular music system with an iconic design.

In collaboration with and under licence from Serge Tcherepnin, Random*Source offers a range of Serge modules, combining the original Serge circuits with the advantages of today’s technology. The modules on this page are in Eurorack (3U) format – modules in the classic Serge dimension (“4U” panel height) and the typical banana jacks can be found here.

SERGE WAVE MULTIPLIERS (VCM)

The legendary Serge Wave Multipliers (VCM) are designed to dynamically add new harmonically-related overtones to an input waveform. Accroding to the 1982 catalogue, they “alter the timbre in exciting new ways, producing interesting alternative forms of signal processing which are unique in the Serge Modular Music System. Since there are three entirely separate and different types of Wave Multipliers in this module, an enormously varied palette of new effects can be synthesized.”

The top section offers two different modes, selected by a switch. In the “HI” position, the module functions to “square-up” an incoming signal, with a rounded flattening of the signal peaks, somewhat similar to overdriving a tube amplifier (with voltage control!). In “LO” mode, the module is a linear gain controlled VCA. This is useful for various functions such as amplitude modulation and for gating signals into the other sections.

The middle section generates a sweep of the odd harmonics (1, 3, 5, 7, 9, 11 and 13th) when a sine wave is applied to its input and the FOLD knob is turned up or a control voltage is swept from low to high. This effect is similar to overblowing a wind pipe closed at one end. A second input is included to allow two signals to be mixed before processing. This module can be used to explore timbral areas beyond the range of ring modulation.

The bottom Wave Multiplier performs non-linear wavehaping known as full-wave rectification, but with sophisticated level-compensating conditioning as well. The circuit uses three full-wave rectifier sections linked in a very refined controllable format. Sweeping the VC input over its range will produce a smooth timbral transition using the even harmonics (second, fourth, and eighth). Many other partials are present in this basic sound, however, and the sonorities are very rich and varied. The white output is a “squared up” version of the black one, resembling an harmonically enhanced pulse width modulation.

The Random*Source version of the Serge Wave Mulitpliers for Euro is a licensed and authorized adaption of the original Serge design, using best parts available today (e.g. Burr-Brown op-amps, C0G capacitors up to 220N) for optimum audio performance.

Now – for the first time ever and licenced by Serge – the Wave Multipliers are available as DIY (SMT) kit for Euro.

Some details of the Random*Source Serge VCM module:

  • Under licence from Serge Tcherepnin
  • Main pcb in SMT, containing almost all components (reflow soldered in)
  • Premium parts used (4 Burr-Brown op-amps, C0G capacitors up tp 220N, Wima 1uF …)
  • No obsolete parts needed
  • No wiring needed
  • Eurorack format (3U), 18 hp
  • Power consumption: 45mA @ +12V, 40mA @ -12V
  • Module depth: < 35mm (1.5″)

Build documentation – http://randomsource.net/docs/RandomSource_Serge_VCM_Euro.pdf

4MS Pods

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4ms Pods are low-cost, portable, compact enclosures that turn Eurorack modules into table-top instruments. Powered Pods come with an integrated, daisy-chainable power supply that allows you to link multiple units in different configurations using only a single power brick.

Each Pod typically will house one to four modules, but more can be accommodated using a multi-power cable accessory. Standard M3 threaded holes allow for any configuration of modules.
Most Pods accommodate modern, shallow modules, but we also offer the X-series Pods (Pod34X, Pod40X, Pod48X, and Pod64X) which are deep enough for most modules.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system.

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go. The power supply can handle up to 700mA of +12V for the smaller Pods, and 1.4A for the Pod60, which is plenty of juice for even the most hungry modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Pods are a perfect way to get started in Eurorack module, or to add a couple more modules to your monster system. They can even daisy-chain with the 4ms Row Power system, making them a convenient outboard mini-skiff.

Pods User Guide – User Manual

Power

The Pod20, Pod26, and Pod32 have an integrated power supply with two standard Eurorack power headers; the Pod 34X, Pod40X, Pod48X, and Pod60 feature four power headers, and the Pod64X has six. All Pods work with all modules that use 10 and/or 16-pin power cables.

Multi Power Cables

If you need to install more modules than the number of power headers in your Pod, you can use a Multi Power Cable. One end plugs into the power header on the Pod, and the other connectors plug directly to modules. Each Multi Power Cable can power three modules from one power header. Multi Power Cables come in two varieties: 10-pin, and 16-pin. Choose the one that matches the type of power cable on your modules.

Daisy Chaining

Powered pods are meant to be daisy-chained. When you plug a Power Brick into one of the jacks on the back of a Pod, the other jack can be used to power an additional Pod. Simply connect a Barrel Cable from one Pod to the next. You can continue to daisy-chain Pods to make long chains! With a 45W Power Brick, 8 or more Pods can be daisy-chained (depending on the total power consumption of all the modules).

Unpowered Pods

Most Pods are sold with a power supply. Pods can also be sold “Unpowered”: essentially an empty metal box perfectly sized for Eurorack modules. If you purchased an Unpowered Pod, you’ll see there are no power headers or jacks on the back. You will need to provide your own power supply for your modules. If you have a Row Power module, it can be installed on the top of the Pod as a normal module. Additionally, there are two holes on the back of the Unpowered Pod which are plugged with a plastic insert: you can use these holes to mount a jack which connects to your own DIY power supply.

Specifications

The Pod 34X and 64X have 2.16″ (55mm) of depth on the inside, Pod40X and 48X have 1.97” (50mm) of depth on the inside, and the thin Pods (Pod20/26/32/60) have 1.34” (34mm) of depth on the inside. The depth of your module, including the power header, must be less than or equal to this.

Powered Pod Includes:

  • Pod, black anodized aluminum
  • Built-in power supply with two Eurorack power headers
  • M3 x 8mm screws (10 for Pod48X and smaller; 20 for Pod60 and Pod64)
  • Adhesive rubber feet (4)
  • Does not include barrel cable or power brick

Power Supply (Pods 32HP and under):

  • Two 16-pin Eurorack power shrouded headers
  • +12V max 0.7A
  • -12V max 0.28A
  • +5V max 0.2A

Power Supply (Pod40X, Pod48X, and Pod60):

  • Four 16-pin Eurorack power shrouded headers
  • +12V max 1.4A
  • -12V max 0.65A
  • +5V max 0.5A
  • Note: Early Pod60s with two separate power PCBs have 0.4A max of +5V, and 0.56A max of -12V, and the power draw of any single module must not exceed half the maximum ratings.

Power Supply (Pod34X):

  • Four 16-pin Eurorack power shrouded headers
  • +12v max 1.4A
  • -12V max 0.67A
  • +5V max 1.0A

Power Supply (Pod64X):

  • Six 16-pin Eurorack power shrouded headers
  • +12v max 1.4A
  • -12V max 0.67A
  • +5V max 1.0A

Power input:

  • Two barrel jacks for daisy-chaining, 2.1mm positive tip.
  • Voltage: 15VDC recommended, 20VDC maximum

Exterior dimensions:

  • Width:
    • Pod20: 106.1mm (4.18”)
    • Pod26: 136.6mm (5.38″)
    • Pod32: 167.1mm (6.58”)
    • Pod34X: 177.3mm (6.98”)
    • Pod40X: 207.7mm (8.18”)
    • Pod48X: 248.3mm (9.78”)
    • Pod60: 309.3mm (12.18”)
    • Pod64X: 329.7mm (12.98”)
  • Height: 159.5mm (6.28″)
  • Depth:
    • Pod20/26/32/60: 36mm (1.42”)
    • Pod40X/48X: 52mm (2.04”)
    • Pod34X/64X: 57mm (2.24”)

Interior dimensions:

  • Module depth:
    • Pod20/26/32/60: 34mm (1.34”)
    • Pod40X/48X: 50mm (1.95”)
    • Pod34X/64X: 55mm (2.16”)
  • Module width:
    • HP size * 5.08mm (0.2”)
  • Weight (powered):
    • Pod20: 0.17 kg (6 oz)
    • Pod26: 0.21 kg (7 oz)
    • Pod32: 0.23 kg (8 oz)
    • Pod34X: 0.3 kg (10 oz)
    • Pod40X: 0.31 kg (11 oz)
    • Pod48X: 0.35 kg (12 oz)
    • Pod60: 0.40 kg (14 oz)
    • Pod64X: 0.5 kg (17 oz)

ADDAC214 VC Rotator – Full DIY Kit

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The ADDAC214 VC Rotator is a stepped routing module for audio, CVs, gates and triggers! A typical VC switch can only switch one source to multiple destinations, or multiple sources to one destination but on the VC Rotator there is no such limitation! The same number of inputs and outputs exist, so instead of 4:1 or 1:4, this module always swaps 4 inputs to 4 outputs, and can also be patched for 2 to 2 and 3 to 3 step actions.

All four inputs get routed to the four outputs based on the CV and Clock controls. This is indicated in the following four (4) states:
1. routes all inputs to the same number output: 1:1, 2:2, 3:3, 4:4
2. routes all outputs to an offset of 1: 1:2, 2:3, 3:4, 4:1
3. routes all outputs to an offset of 2: 1:3, 2:4, 3:1, 4:2
4. routes all outputs to an offset of 3: 1:4, 2:1, 3:2, 4:3

The Direction parameter determines if the Clock input moves the rotation forward or backwards, while the Reset input resets the clock to the first step. Forward rotation can be set to 2, 3 or 4 steps by adjusting the Rotate offset knob, when moving backwards the module will always sync to 4 steps no matter where the Rotate knob is. Pendulum movements, external sequencing and other complex CV actions can be achieved using the CV input and dedicated attenuverter.

Build Document

Features:

4 Inputs
4 Outputs
Direction Switch
CV Rotate with Attenuverter
Clock and Reset Inputs
4 Monitor Leds
Specs:

Width: 6HP
50mA +12V
50mA -12V

ADDAC200PI Pedal Integrator – Full DIY Kit

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This small utility is the pedal’s lover best friend, it allows 2 different chains of pedals to be independently connected to your modular synthesizer.

The Send channels attenuate the synth level to instrument level. The Return channels amplify the signal from instrument to synth level.

Specs:

  • Width: 4HP
  • Panel Colour: Black
  • Depth: 30mm
  • Max current: 10mA

Build Document – Assembly Guide

ADDAC306 VC Transitions – Full DIY Kit

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The ADDAC306 is a 5 channel multi-directional CV generator – you can think of it as a “sweet spot” controller, or a hands-on way of transitioning from one state to another. Each of the five channels has MINIMUM, SPAN and DIRECTION controls, a common CV IN and a common TRANSITION CONTROLLER slider.

Controls

  • MINIMUM sets the minimum channel voltage.
  • SPAN sets the voltage range of the channel. It essentially sets the maximum voltage that can be output from the channel, relative to what the current channel MINIMUM is. For a given SPAN value, if the MINIMUM voltage is changed then the maximum voltage output from that channel will also change respectively.
  • DIRECTION sets whether the voltage transition for each channel goes from MINIMUM to maximum, or maximum to MINIMUM.
  • The TRANSITION CONTROLLER slider controls the transition from the minimum value (A) to the maximum value (B) or vice versa, according to the settings of each independent channel.
  • Moving this slider generates 5 different voltages with 5 different ranges and directions. The transition can also be operated from a CV source at the CV IN, in which case the slider position acts as an attenuator for the incoming voltage.
The maximum range of each channel can be set to either 5 or 10 volts, by 5 jumpers in the back of the module. Only positive voltages are generated at the output. See the settings examples here

Patch Ideas

  • Using the CV IN you can use two ADDAC306 modules to expand your control options to 9 voltage outputs under one common slider control.
  • Use the VC Transitions to multiply the polyphony of a single CV sequencer by passing its outputs through the ADDAC207.
  • VC Transition makes for an awesome state transition controller. Plug its outputs to various CV controller parameters of your audio effects modules. Set the slider to position A, and set the minimum values for each channel. Then move the slider to position B and set the SPAN settings for each channel. Use the TRANSITION CONTROLLER slider to morph from state A to state B and backwards. Flip the DIRECTION switches to change the direction of the transition for each channel. Use the CV IN to automate the transition using LFOs, ADSRs or sequencers.
  • Plug the output of your ADSR envelope to the CV IN and set the channels differently to get 5 different ADSRs from one common source.

Specs:

  • Width: 8HP
  • Depth: 40mm
  • Max current: 50mA +12V, 50mA -12V,

Build Document –  Assembly Guide

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